# 12 Give a little love back to the world

No offence to the composer (who was also the lyricist) Paul Curtis who wrote the UK's effort for the 1990 Eurovision Song Contest, but this song does meet the "dross criteria" spectacularly well.

It did do well and it struck a chord with many at the time. It hooked in to the concern being focussed on environmental issues - some things haven't changed really. It ended up coming sixth. And whilst there are some moments in this song which do rather make me tingle (like the soaring descant the lady on the left in blue is responsible for in the second and third choruses), the song as a whole makes me wriggle with embarrassment.

I can't quite work out whether it's the cheesy presentation on stage (the lead singer is dressed to make her look a lot older than she really is), the saccharin message of the song or indeed the crude attempt to reflect the message amongst the line-up of singers. Whatever it is, this particular doesn't stand the test of time.

# 11 Musik klingt in die Welt hinaus

Keen to meet the demands of the handful of people who read and comment on this Thoroughly Good Eurovision blog, I hereby offer up what I consider to be a terribly fine example of a Eurovision effort. And of course, by effort I really do mean "effort". I might even go as far as to say that this presentation from Switzerland at the 1990 Eurovision truly is utter dross.

I don't even know or care where they came in the ranking. I'd rather listen to the music bed Terry Wogan chunters over as he introduces the song.

Don't even get me started on that suit Egon's wearing.